History
Over five decades of work, from the first metal-and-leather pieces to current collections.
1970s
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1970
Swing Earrings worn by Shirley, a model.
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1971
Sandy wearing her earrings and leather neckpiece. Her love of metal and leather designing is established. An Ed Sherman photo.
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1971
Sandy wearing her earrings and leather neckpiece. Her style is established as clean, sculptural and modern. An Ed Sherman photo.
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1974
Sandy's ear sculptures advertised by the Ed Levin Workshop in the Bennington Banner, Bennington, Vermont, April 19, 1974. An innovative ad for a distinctive designer.
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1974
Model Irene wearing Sandy's Hugs Earrings. Amorphic, undulating shapes create bold and dramatic earrings. A Shawn Walker photo.
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1974
Model Irene wearing Sandy's Hugs Earrings. Bold sculptural earrings designed with the contours of the face in mind. A Shawn Walker photo.
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1974
Model Irene wearing Sandy's Whistle Earrings and a one-of-a-kind stone necklace. A Shawn Walker photo.
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1975
Sandy featured in Encore American and World News. She started the double-pierced ear trend.
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1975
Model Lana wearing Sandy's Sickle Earrings.
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1975
Jewelry Makers Find Hobby Can Make Money, Too, by Shawn G. Kennedy, in The New York Times, October 16, 1975. Sandy turned a hobby into a business.
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1976
Sandy Baker: Shape and form, by Kim Foltz, in Accent Magazine, April 1976. Sandy wearing some of her sculpture for the ears. A Shawn Walker photo.
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1977
Sandy wearing her Mali Twist Earrings. She made her own path in the jewelry industry. A Shawn Walker photo.
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1977
Sandy's T-shirt design reflects her sense of humor and was an instant conversation piece. The press caption read: Whoever Sandy Baker is, she's getting free publicity. She must be a silversmith or something.
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1977
Ear Sculptures by Sandy, an ad for the Limited Edition collection. Each pair individually hand made in gold and silver, in shapes of tigerlilies, moons, triangles and stars.
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1977
Sandy Baker in National Jeweler, August 1977, among the independent designers showing in the RJA Designer Room. She wears her Mali Twist earrings in sterling, made by a staff of twelve.
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1978
Sandy Baker, silversmith, appearing in person at the Vogue in the Genesee Valley Mall on Saturday, May 6, ahead of Mother's Day. A Shawn Walker photo. Sandy has always enjoyed connecting with the people who collect her work.
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1979
Rope Casting Highlights Front/Back Earrings, in National Jeweler, February 1, 1979. The front and back earring was made in fourteen-karat gold and in sterling silver.
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1979
Sandy wearing her Scheherazade earring. The original photograph behind her National Jeweler feature.
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1979
Her classic NEMI Earrings photographed by Patrick Demarchelier for the July 1979 issue of US Vogue, worn by model Esme Marsha. They remained a top seller in the collection for over twenty years.
1980s
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1980
Cascade Earrings in the McCall's pattern book, Suited to Your Look.
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1980
Sandy Baker 1980. Nobody does ears better. Her ad for the Cascade Earrings.
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1980
Model Kim Alexis wearing Sandy's Kalabar Earrings in Glamour magazine.
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1981
Her Mali Earrings in Vogue. Her jewelry is selling nationwide.
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1981
Her Gable Earrings in Vogue. Designs for career women were always a primary focus.
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1981
QUILL Earrings on the cover of Essence, April 1981.
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1981
Nobody does ears like Sandy Baker. An ad for her appearance at Pickwicker Imports, 134 East Front Street, Traverse City, Michigan.
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1981
Bold and Brazen. Sandy's ear sculptures in a Bloomingdale's newspaper ad.
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1982
Gold Designers Stress Sculptural, Free-Form Art, by Abby Livingston in National Jeweler. Sandy with her colleagues in the jewelry industry at Intergold's Ring in the Holidays Jewelry Designer Forum.
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1982
Her Natasha Earrings and necklace. Sandy loved to focus on jewelry for the career woman.
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1982
Designs for career women were always a primary focus for Sandy, as seen in this Saks Fifth Avenue catalog.
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1982
Ashia Earrings on a pattern book page, half size dress 6968.
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1982
Sandy's earrings on a pattern book page.
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1983
Sandy scores again with working women, in the Jacobson's catalog.
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1983
Bloomingdale's showcases Sandy Baker. Sterling silver earrings in clean geometric shapes for pierced ears, credited in the catalog to Sondrayvonne Baker: the movable back-piece slender drop, the ribbon drop and the large fold.
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1983
Sandy's earrings on a pattern book page.
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1983
Sandy's earrings in the Saks Fifth Avenue catalog.
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1984
Sandy's designs featured in Consolidated Refining Company's national ad campaign, Seen in the most refined places.
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1984
Her Raindrop Earrings in a national gold campaign. Bold, sculptural and very comfortable.
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1984
KNUCKLE Earrings and SCALLOP bracelet. Sandy loves a clean uncluttered look no matter the metal.
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1984
Sandy Baker jewelry in the Riunite national ad campaign. Her work is used extensively by stylists for women of all lifestyles.
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1984
Gold. It lets me give her sunshine in November. Sandy's earrings in a national gold campaign.
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1984
The Sandy Baker booth at a trade show, her work shown against black.
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1985
Sandy loves to work with other artists. This glass art was perfect for her 14K and cubic zirconia design.
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1985
Sandy's 14K and cubic zirconia designs.
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1986
Sandy, also a graphic artist, designed her own brochure cover "Private Viewing."
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1986
1986 CALLA Earrings and pin representing Sandy's bold, elegant distinctive brand.
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1986
For most of her career Sandy worked with metals exclusively (JCK Magazine).
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1987
Sandy, the undisputed Queen of earring design. Her trademark drawing, with the hair written out in sterling silver, from 1140 Broadway, New York.
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1987
The BIALY Collection. Her brand is distinctive.
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1988
Sandy's love for movement is clear in her LUSHLIFE Earrings.
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1988
DUCHESS Earrings and Necklace. Sandy demonstrates her strength designing with the most basic geometric shape.
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1988
A Mid-west newspaper article.
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1989
Sandy's work is recognized internationally.
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1989
Sandy celebrated her 20th year in business at the JA Show on July 26, where Michael D. Roman, chairman of Jewelers of America, drew the names of the gift winners. One of the few African American women jewelry designers, she looked on.
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1989
BUBBLES Earrings and necklace.
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1989
Sandy's designs are "more Calder than Cartier."
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1989
Jeweler breaks a few barriers, by Cynthia Rigg, in Crain's New York Business, May 8, 1989, on her European venture in anticipation of 1992. Sandy Baker, president of Sandy Baker Inc., is respected for her working woman jewelry designs.
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1989
Sandy was the first designer to sell gold jewelry on television.
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1989
The artist, designer and businesswoman took time to be a mom to her son, Jordan.
1990s
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1990
Dramatic yet practical designs for the sophisticated career woman who uses the telephone at work.
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1990
Sandy enjoys working with customers.
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1990
Sandy's DUCHESS Earrings appear in national promotion.
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1990
Her Spirit Pins, cut figures in motion.
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1990
Her SEAFOAM Earring and necklace in sterling silver, a wide necklace of bright silver curls worn with strapless dressing.
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1990
A silver ensemble: collar, earrings and pendants shown together.
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1990
Her SKATE pendant on a ribbon-like fold, worn with TURBAN Earrings in a matching shape.
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1990
Screamin' Mimi cufflinks, the dancing figure carried across into a men's piece.
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1991
Freespirit Earrings worn by Julia Roberts. Have you seen Sandy Baker lately? Everybody wears Sandy Baker.
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1991
Her love of movement and attention to detail appear with these super-sized MAMBO Earrings.
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1991
Sandy's earrings on a pattern book page.
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1991
Spirits! Her pin figures, each named: Hallelujah, Go For The Gold, What A Day, Screamin' Mimi and Pump It Up.
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1991
Spirits! More of the pin figures: On The Good Foot, Fast Freddy, Barnie Bonsante, Leapin' Leroy and Cutie Pie.
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1992
The first appearance of Screamin' Mimi, part of the Sandy's inspirational Art Spirit collection.
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1992
Sandy wearing her own BUBBLES Earrings. A Keith Major photo.
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1992
Her Turban and Sasha Earrings. Sculptural designs distinctive to the Baker brand.
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1992
Her Spirit pins in the Seen column of New York Newsday.
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1993
Faceted earrings in a folded, angular geometry.
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1995
Her wheel for the American Jewelry Design Council project. My concept of the wheel is one of spiritual freedom.
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1995
Sandy receiving the Blenheim Award, honored as a designer jewelry veteran.
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1995
Sandy featured in National Jeweler, receiving the Blenheim Award.
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1995
The Blenheim Award for Continued Excellence in Design, presented at the 1995 JA International Jewelry Show, recognizing her work from 1977.
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1995
The KISS junior collection: hoops and beaded strands in many colors.
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1996
Sandy's work selected for the Cooper-Hewitt National Design Museum's African American Design Archive. Bracelets from the Bassam Collection, 1996, in sterling silver and 18K gold with semi-precious stones.
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1996
Faceted earrings with folded planes in warm metal.
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1996
STARLIGHT Collection earrings in all gold.
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1996
More STARLIGHT Collection earrings in all gold, in banded and ridged forms.
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1996
STARLIGHT Collection earrings in yellow and white gold.
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1996
Sandy Baker's Wild Iris line, beaded strands worn with carved disc drops.
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1997
Jewelry as Art exhibited at Kent State University Museum.
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1997
Her ORRIS Earrings and pin.
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1997
Accessories are essential, in the Trends section of The New York Amsterdam News, December 11 to 17, 1997.
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1998
The GRAND BASSAM Collection shows Sandy's continuing love of texture in jewelry.
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1998
The GRAND BASSAM Collection worn as stacked cuffs, from the same session.
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1998
GRAND BASSAM Collection bangles and hoops, silver wrapped with copper detail.
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1998
GRAND BASSAM Collection earrings, curved silver forms finished with gold beads.
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1998
Natalie Cole wearing a Sandy Baker bracelet on the cover of Jet, March 23, 1998, with Laurence Fishburne. Celebrities wear her designs in their day-to-day lives.
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1998
"STARLIGHT" Collection.
2000s
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2001
Premier Poster of NATURAL SPLENDOR Color Collection. an E. Lee White Photo
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2004
Actress, model and television host Celinés Toribio on the cover of Tempo, wearing a Sandy Baker necklace and earrings.
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2004
Sandy introduces her first designs for men. Her square tortoise-shell cufflinks in the In the Spirit gift guide, Essence, December 2004, with Nia Long on the cover.
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2004
Her BIALY pin worn by a model in Odysee Colour magazine.
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2005
Sandy re-introduces her idea of incorporating kinetic movement in earrings.
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2005
The Sandy Baker brand shines, shown in UnChin Magazine.
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2005
Sandy introduces her ROQUES ring collection with luxurious super-sized gems.
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2005
Model is wearing ALLURA Earrings. Sinuous double curves of sterling silver enhanced by tiny seed pearls. a Wayne Sumnmerlin photo.
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2005
Model is wearing EARTH Earrings. A hand-forged circular comet with a breezy mobile at the back of the ear. A Wayne Summerlin photo.
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2007
Her MAMBO Earrings, designed in 1991, in the book 500 Earrings: New Directions in Contemporary Jewelry. Eighteen-karat gold, photoetched and hand fabricated. Photograph by the artist.